Bookworks, by Sue Doggett

Bookworks, by Sue Doggett is a visually inspiring book. It’s an ideal beginner’s book for anyone interested in creating handmade books. It’s also a useful guide for intermediate book artisans who want to revisit basic technique, or bring handmade books back into their daily routines. Most of this book teaches readers how to select supplies for making books, and ways to organize, bind, and (perhaps) embellish your books to make… Read More »

Trending Influence of Origami and Paper Folding

After watching the documentary, Between the Folds, I decided to see what’s new in origami and related paper folding arts. For starters, a new (possibly) Banksy graphic was a very affirmative nod to the growing popularity of origami as fine art, and fiber manipulation in general. New Origami Graffiti Art Might Be a Banksy Original! | Inhabitat … inhabitat.com3/26/12 This awesome crane and goldfish are reported to be Banksy’s latest… Read More »

Color Choices, by Stephen Quiller

Color Choices – Making Color Sense Out of Color Theory, by Stephen Quiller is a visually inspiring book for painters, especially landscape and still life painters. Does it actually make “color sense out of color theory”?  I’m not so sure, but I’m also not sure if that matters. Stephen Quiller has created his own color wheel, and that helps to demonstrate the qualities of color.  However, if you’re new to… Read More »

In This House, by Angela Cartwright, Sarah Fishburn

In This House – A Collection of Altered Art and Collage Techniques, by Angela Cartwright and Sarah Fishburn, is kind of a “sleeper” of a book.  It’s easy to overlook it in a sea of mixed-media art books.  The book cover really doesn’t do it justice. Each of 13 brilliant artists — including Kelly Kilmer, Nina Bagley, and Lesley Riley — started with a template that’s the shape of a… Read More »

Anthony Thieme

Anthony Thieme, by Judith A. Curtis (published by the Rockport Art Association) is an inspiring tribute to one of America’s greatest landscape painters. I bought the book partly because my mother* had studied with Thieme (as she always called him) around 1935-36  in Annisquam and Rockport, Massachusetts. However, I also fell in love with Thieme’s use of light and shadow. The cover of the book (above) is an example. Among… Read More »